The (De)colonizer process in the performance “Arte Mumbuca”: from the creative-artistic practice to poetic and affective crossing
Article Sidebar
Main Article Content
Abstract
This article is a result of researches realized about the people from “Mumbuca”, a quilombo located in the state of Tocantins – Brazil. The work culminated in a performative artistic production. Firstly, a brief history of the community is presented, followed by a discussion of the artistic production about the quilombo. Than, all the creative-artistic production is related to the (de)colonization process of the population derived from the African diáspora through the performative piece named “Mumbuca”. This relation is made by a perspective of the appreciation of this people’s culture and identity. To do so, this work used bibliographic and exploratory researches, as well as oral narratives.
Keywords: Quilombo Mumbuca, Art Performance, Decolonization, African Diaspora, Identity.
Article Details
Copyright Statement
- Authors retain copyright and grant the journal the right of first publication, with work simultaneously licensed under the Creative Commons Attribution License CC-BY 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and initial publication in this journal.
- Authors are authorized to enter into additional contracts separately for non-exclusive distribution of the version of the work published in this journal (eg, publishing in institutional repository or book chapter), with acknowledgment of authorship and initial publication in this journal.
- Authors are allowed and encouraged to post and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this may lead to productive changes as well as increase impact and citation of published work (See The Effect of Free Access).