REEXISTENCE LITERACIES: PRODUCTION OF DIGITAL POSTERS AS A FORM OF AFFIRMATION OF YOUNG AND BLACK INTELLECTUALITY
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Abstract
This article translates to affirm that the digital posters produced by the black youth are discursive textual genres that affirms an eminently political and subversive language that break the moorings of watertight categories based on the notion of genre or on the notion of politician that goes through the works when they are available to analyze posters produced by specific social groups. We converge the dialogues between the different areas of knowledge to draw possibilities of literacies through agencies anchored by the worldview of African matrices. In this sense, we dialogue with the conceptions of “letramentos de reexistência” coined by Souza (2011) and the “bios de midiatização” in Sodré (1972, 2002), from a decolonial view of understanding the production of these posters. We were given the opportunity to propose confrontations that may be inspired by the survivors of this population that signal afrocentricity ruptures in new rearrangements of the world.
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