INTERESTED TO WHOM A “BLACK CINEMA”?
Article Sidebar
Main Article Content
Abstract
This paper aims to build some questions that might direct the reader to the interpretations that are visual constructions of identity, and between them, the black identity represented by the images shown by the cinema, in the form of visual storytelling. We could say that, as a form of manifestation of visual culture, the black film has an own and singular image? It is possible to glimpse an image constructed from a complex technological producer of symbols social, political, economic, historical, cultural and subjective represented by the Cinema, which is more complex when it cuts the category of blackness. Who is interested in a “black cinema”? More than properly answer this, we seek to identify the subject position from which it aims a “black Cinema.”
Article Details
Copyright Statement
- Authors retain copyright and grant the journal the right of first publication, with work simultaneously licensed under the Creative Commons Attribution License CC-BY 4.0 which allows the sharing of the work with acknowledgment of the authorship of the work and initial publication in this journal.
- Authors are authorized to enter into additional contracts separately for non-exclusive distribution of the version of the work published in this journal (eg, publishing in institutional repository or book chapter), with acknowledgment of authorship and initial publication in this journal.
- Authors are allowed and encouraged to post and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this may lead to productive changes as well as increase impact and citation of published work (See The Effect of Free Access).